Artists
 

Marina Abramovic
Victor Alimpiev
Laura Belem
Candice Breitz
Rä di Martino
Nathalie Djurberg
Kota Ezawa
Harun Farocki
Charlotte Ginsborg
Philippe Grammaticopoulos
Cao Guimaràes
Frank Hesse
Alfredo Jaar
Jesper Just
Clare Langan
Zhenchen Liu
Domenico Mangano
Jenny Marketou
Bjoern Melhus
Almagul Menlibayeva
Sarah Morris
Guy Ben Ner
Julia Oschatz
Isabel Rocamora
Marinella Senatore
Eve Sussman +
The Rufus Corporation

Kenneth Tin-Kin Hung
Gillian Wearing
Arnold von Wedemeyer
Clemens von Wedemeyer +
Maya Schweizer

Suara Welitoff
Sislej Xhafa
Zimmerfrei

 

 
 
worlds on video - international video art
curated by Anita Beckers
19th September 2008 – 2nd November 2008
 
Home l Programme l Education l Information l Italian
 
   
Nationality United Kingdom
Title The Mirroring Cure
Year

2006

Length 27’00’’
Technical data Single Channel Film, Colour,
sound, 16 mm on DVD
Courtesy The artist
 
 
Midway between documentary and fiction, The Mirroring Cure by Charlotte Ginsborg investigates the way people relate to their everyday work and how this influences their lives. The film is set on a large construction site in the centre of London and develops from the viewpoint of the company secretary, who decides to interview five of the firm’s employees, from the architect to the labourers, about their relationship with their place of work over a period of two years. She is fascinated above all by the experience of the architect, who has suffered for years from loss of balance, a condition aggravated by the great tension on the site. In order to address this problem and go on doing his job, the man has developed the “mirroring cure” referred to in the title of the film. This surreal do-it-yourself treatment consists of studying and imitating the actions of others, repeating their movements so as to become sure of his own. The transformation of the office complex through demolition and rebuilding gives rise to an extraordinary visual story developed through intimate portraits of the five employees.

In works often characterized by a sociological interest in the surrounding world, Charlotte Ginsborg interweaves elements of documentary and fantasy to investigate the psychological and physical relations between people and the social and architectural condition of the city. From the birth of the metropolis to the advent of industrialization, the description, characterization and analysis of these phenomena played an important part in works by many artists contrasting nature with the city, its architecture and its atmosphere. While poverty, violence, want and dirt reigned in the city, nature was characterized by freedom, purity and self-awareness. Over the last few years, in the wake of the growing urbanization brought about by globalization, interest has been rekindled in the phenomenon of the city. Charlotte Ginsborg focuses on little stories of individual people within the metropolitan fabric, on their everyday life, their needs, hopes and duties, not only creating portraits of individuals but also capturing the sense of contemporary life in today’s metropolises.

Charlotte Ginsborg (London, 1974) has held solo shows at Spazio Pubblico Arte Contemporanea (Villa di Toppo Florio, Udine) and the Lux in London. She has also taken part in group exhibitions at venues such as the PAN – Palazzo delle Arti Napoli (Naples), the Whitechapel Project Space in London, and Europe Asia Mediations (Poznam, Poland) as well as numerous festivals.